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On “Andor”, goodness has always been a word of four letters

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“There will be times when the conflict seems impossible. I really know that. Alone, not sure, dwarf the size of the enemy,” says the non -embodied voice. “Remember this: Freedom is a pure idea. It occurs automatically and without instructions.”

“Star Wars” and the resulting faith that connects Vandum is based on quotes on the light and dark side of strength. Since “AndOr” does not know, its guidelines are a revolutionary record of a revolutionary record (Alex Lawther), which most viewers are likely to forget his name and face. Nemik was a simple character in three episodes of the first season of the show before he died in an accident, and he was crushed by a heavy body that falls on it during a small theft.

If the empire requires blood or material resources, it will leave a reason to kill anyone and sell this massacre to the public as reasonable.

Kasian Anwar (Diego Luna) barely recognized this revolutionary philosopher, but somehow, Nemik decides to entrust the mercenaries with his recorded ideas. Five years later, a Nemik advertisement is broadcast throughout the galaxy. His words are among the last things that the Imperial Security Office (ISB) is the pioneer Partagaz (Anton Lesser) as he concludes his career.

“Random rebellion works constantly throughout the galaxy. There are entire armies, brochures that have no idea that they have already been recruited in the case,” says Nemik recorded with Partagaz’s advice frankly. “Remember that the boundaries of the rebellion are everywhere. Even the smallest action of the rebellion pushes our lines forward.”

“Andor” (Lucasfilm/Disney+)“It continues to spread, right?” Partagaz asks his colleague standing beside his office. “… Who do you think?” The man has no answer, except for Partagaz’s news gently that they are “waiting for him”, which is not good news. Then Partagaz allows a special moment to “collect his ideas”, and this is understood as a symbol of suicide.

“Jedha, Kyber, Erso,” The last episode ever of “AndOr”, gives up the traditional end of the series with the movie that inspired it, “Rogue One: A Star Wars Story”. Jedi is very absent from the movie and the show, as well as the belief of strength. In its place, the “Rogue One” hero Jane Eerso says, is the hope that the rebellions will be built.

Andor is not even intended, as humans enjoy the disturbing usual in clinging to hope and faith instead of dealing with very real problems in front of our faces. Instead, Gelryi explains the seeds of the rebellion structurally. The authoritarian rule in the foreground, and is supported by the bureaucratic empowerment factors and ordinary citizens who are walking side by side, do not believe that the storm will not have any reason to expel their doors.

But if the empire requires blood or material resources, it will leave a reason to kill anyone and sell this massacre to the public as reasonable. This unequal dynamic is determined by the universe “Star Wars”, but since the films are designed to sell games, we rarely ask us to see them as more than just myths against evil.

Considering constantly from goodness gets worse. This may be the reason why the majority of modern “Star Wars” expansion in Disney amounted to more than just a soft fan service. George Lucas’s opera satellite opera raised generations of fans to get to know good people, believing that they will always win evil. This basic statement is also in line with the American story after World War II.

“Andor” comes to us after decades of this myth, and this may be the reason that it resonates with the modern masses. We welcomed the decision of Tony Gelry to return the legends of Lucas Starsk to dirt. The viewers in Kasian meet as a child surrounded by mud in his first episodes, goodbye to the adult spy and loyal loyal pulmonary companion K-2SO (expressed by Alan Todic) from the surface of Yafin, who is the steady rainy citizen where the rebellion records his first blow.

Considering constantly from goodness gets worse. This may be the reason why the majority of modern “Star Wars” expansion in Disney amounted to more than just a soft fan service.

The conclusion of “AndOr”, however, waves from any nostalgia. You are supposed to block her little stories with “Rogue One” and other “Star Wars”, which she ably. Meanwhile, the chain as a whole was praised as “radical”, which puts a very large value on a piece of entertainment, and even an excellent one, and its small capabilities to influence social movements in the real world.

A more accurate summary of “AndOr” and its effect is its painful name for this American era, especially in the way its opponents develop. This means Partagaz, Senior ISB DEDRA Meero (Denise Gough), her lover and Patsy, Syril Karn (Kyle Soller) and Luthen Rael (Stellan Skarsgård).

“Andor” is characterized by a lot of “standard stars” officers who also serve evil with enthusiasm. Even this offer, they were not individual in a way that explains what they are out of a tyrannical help to destroy the planets. But we do not see the amount of sacrificed blood like Luthan and his assistant (Elizabeth Dulo) in building the rebellion of the most famous pop culture.

Andor (Lucasfilm/Disney+). During this series, Luvitan directs many reassuring people to their death in the service of a Bar Revolution.

The last three episodes of this understanding are crowned that due to the lack of clean definitions of good, people like Luthen pay a final price similar to Partagaz and DEDRA.

Spymaster pays from Skarsgård a knife in its stem to prevent imperialist investigators from extracting the painful information painfully, but it remains and is transferred to the hospital under the guards. Kleya should infiltrate the wing in which you hold to end it, and almost kill to deliver this mercy.

Kleya goals are not selfish, like most other rebels on “Andor”. On the other hand, ambition determines and destroys the empires like Dedra, who wears its nose where it does not belong and stumbles in the Death Star plans. She does not know her spies auxiliary to rebellion. The evil empires are never tight. But when Luthen’s Mole delivers this advice of existential importance, his reward is killing before he can tell anyone else. By that time, Cyrill has long died, dies unknown while seizing the hostile employer of a peaceful planet.

If “AndOr” maintains its durability, then it will be because of its way of reminding us that the faith that is undoubtedly in our good can surround us to the bad guys. Perhaps we grew up to the regime’s appreciation and power of power, and to adapt to the ratification of the responsible people when they determine a part of the population, and even our neighbors, as enemies for our accurate existence.

If “AndOr” maintains its durability, then it will be because of its way of reminding us that the faith that is undoubtedly in our good can surround us to the bad guys.

On the fourth day of the “Star Wars”, the White House traded Mimi depicting Donald Trump as a good With swollen weapons, with the appointment of “radical left crazy” as “the empire” in the X -Publishing Publication. People were not lost that Lightsaber from Trump is red, The preferred Seth Lord color. When a frightening number of Americans are equal to goodness and domination, what means it is good to become flexible.

It is strange that the ruling of cold realism “AndOr” is somehow in the era of exhausted political corruption. It is stupid to hope that the billionaire category is currently facing US taxpayers consequences. But we may trust in knowing that although tyranny is demanding loyalty, it also generates lack of hardness.


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The closing “Andor” episodes include this flashback for the previous Luthen life as an imperial soldier turning against the empire and Kleya’s greed. He should have been one of his victims. Instead, it raises it to be a resistance fighter.

At the same time, real believers such as Dedra are warned that their willingness to follow up on easy ethics orders to the message will not save them when the empire collapses. Our latter’s overview of Dedra shows it pure and consistent in the prison cell, which is estimated to be forgotten like its president and everything that fails the emperor.

Andor (Lucasfilm/Disney+). But then, our final outlook on Kleya also shows cold and shock, but on Yavin. MOTHMA (GENEVIEVE O’Railly), Bainjamin Bratt and others struggle to believe her warning from the star of death because this information came from Luthen, and he is evil in their eyes.

“Andor” falls in a place of optimism, however, putting his bet on the young players who dismantle the fascism piece. Films may determine the conditions of black and white conflict, but this show raised this ripening to maturity. Good does not always prevail, reminds us of his final frames; The story ends with the launch of Cassian and K-2SO towards their most important mission, the story that will end them.

However, this end dare us to hope anyway. “Tyranny requires a continuous effort,” says Nemik statement. “It is broken, leaks. Power is fragile … and this knows: today will come when all these skirmishes and battles are, these moments of challenge, the banks of the empire’s authority were flooded. Then there will be a lot.

“Remember this”, and the revolutionary is saved. “Try.”

All episodes of “AndOr” flow on Disney+.

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